Academy of indisciplinary art
I’ve just published an article in french >Day of the Figurines, un théâtre techno-nomade< in a geneva-based on line cultural magazine Genève Active ->http://www.geneveactive.com/?p=559 ( 6th nov. 2008)
ps. I’m also in the game now. 
My figurine is like me who dresses in yellow jacket!
Foucault and Agamben over a Detournement of Bilal’s Immortel.
In the «Journée d’étude n°1, “Mobile-Immobile”», Université Paris 8, salle A1-172, de 9h30 à 18h30.
I will share and talk about my recent research :
Day of the Figurines de Blast Theory-Une illustration du théâtre techno-nomad comme reflet de la situation post-dramatique
Day of the Figurines by Blast Theory : an illustration of techno-nomad theater as a reflection of a post-dramatic situation.
©http://www.blasttheory.co.uk
Day of the Figurines, qui est un jeu de société multi-joueurs massif. Dans ce jeu, les joueurs participent à distance en envoyant et recevant des messages SMS avec leurs téléphones portables depuis n’importe quel endroit. Je tiens à montrer comment ce travail s’inscrit dans le thème Mobile-Immobile à plusieurs titres : science cognitive, anthropologique, sociologique et artistique avec une perspective du dispositif de théâtre.
‘Situated technologies‘ is rather more human than ‘locative media’. Situated technologies not only know where we are, but also reach for what we are doing, and potentially, even how we are feeling.
The Situated Technologies Pamphlet series explores the implications of ubiquitous computing for architecture and urbanism: How is our experience of the city and the choices we make in it affected by mobile communications, pervasive media, ambient informatics, and other “situated” technologies? Continue reading ‘Situated technologies! not only GPS.’
Images: Detail from Booth Poverty Map, Charles Booth collection, LSE Archives
The site of Queensbury station in 2004, with inset from Queensbury Tunnel (Riley Brothers, 1898)
With London (1994), Robinson in Space (1997), and The Dilapidated Dwelling (2000), Patrick Keiller established his reputation as one of the most original film-makers of his generation. Now, for the first time, he presents the multi-screen, installation version of his research project The City of the Future. Continue reading ‘Patrick Keiller: The City of the Future’
The curatorial statement of Futuresonic 2008 is probably the greatest since it was founded. It’s no more only an electronic gadget show because it takes more social/political/cultural/artistic attentions around the digital culture and contemporary creations. Thankfully, Futuresonic 2008 rethink of Paris ‘68 before people forget it in France. ( French Bobo were already depressed for a while after the presidential election.)
The Social Theme – The Social – Social Networking Unplugged
Digital culture burns bright with a vision of being not in isolation but in groups, placing the relations between people first. Beyond the hype lies ever greater isolation and conformity. Join us as we go in search of the social.
Web 2.0…
I take part
you take part
he takes part
we take part
you all take part
they profit.
(Paris ‘68 slogan remixed) Continue reading ‘Futuresonic 2008′
